I believe that The Sheep that
Saved Christmas has the potential to be a viable source of material to use
as a stimulus for our Children's theatre show. The narrative is setup as a quest to follow a relatable but
vulnerable protagonist overcoming difficult circumstances, and in the end,
saving everyone.
Initially
I wasn’t entirely sure of the fundamental message of the story and what the
children would get if they watched it. However, after discussing the potential
of the piece as a performance, we saw that Cynthia’s character is constantly surrounded
by antagonists preventing her from achieving her dream.
The story portrays positive values through the main character
of Cynthia the Sheep. Examples of the morals taught to readers include
friendship, diligence, integrity, innovation and altruism. Cynthia endures all sorts of situations, mainly
surrounding the idea of being out-casted, that affect her emotions. The language
is clear enough for the children to understand why, and I believe that the idea
of possibly feeling out of place can be somewhat relatable to the children.
The Sheep that Saved
Christmas contains
political undertones shown through the social hierarchy within the animals –
similar to that of Animal Farm. Subtly
portraying a societal system will subconsciously enable children to have
an understanding of the world in a realistic way.
As our audience will be
school children between the ages of four and eight, I have found that learning
more about these crucial development years will give a better insight on the
type of piece we should be devising.
Reading
an extract from an online source [1] of Ages
and Stages of Development: Care About Quality (published by the California
Department of Education in 2000), has allowed me to infer that children love to
question the world around them and be creative when they’re four years old.
Consequently, at the age of five/six, children are much more able to explore
their imaginations and, until they’re about nine, they are beginning to
understand the concepts of independence and individuality. Interestingly in the
book, all the characters appear to have clear purposes and jobs to do, whilst
Cynthia is still trying to find her place. Whilst her age is not necessarily
mentioned, this leads me to believe that the protagonist is probably the
youngest of all the characters and going through the same stages of development
as the children that will be watching the show.
From browsing KS1 BBC
Bitesize, I have found that resources for drama are quite limited for students
aged five to seven, however the idea behind using drama as a method of teaching
other academic subjects is because “…drama
provides carefully structured language and activities that encourage
imaginative, co-operative work.” also states that KS1 students are learning
about rhyming in literacy. Despite the fact that there weren’t any rhymes in
the actual book, when transferring it to the stage, we could employ rhymes in
some lines or through song. I believe doing this will show children how
language works rhythmically.
The
material we develop must be appropriate for our target audience. To ensure that
we maintain the suitability, we should keep in mind that the children are
sponges and will pick up on a lot more than we may even consider.
Visual aid: Using bright colours
and bigger objects will easily engage the children more. Research has shown
that different colours can impact how children memorise and learn. [3]
As our show is
Christmas-themed, main colours will likely be red and green, however we should
take into consideration using a larger variety of colours as it is clear that
there are different benefits within them all.
To
conclude, making effective children’s theatre is an essential process to
understand as it allows us as actors to learn the fundamentals of devised work.
When creating theatre, a lot of research and thought must go into the piece, especially
when it is going to be performed a specific group of people. Performing to
children who are in their prime development years, means we have a massive
responsibility in ensuring that the show we deliver to them is appropriate and
educational in some way. The state of funding towards the arts is also another
reason for why we should make sure they have a memorable experience and enjoy our
show as it may be the first they would have seen or the last for a long time.
Sources:
https://www.cde.ca.gov/sp/cd/re/caqdevelopment.asp
https://www.bbc.co.uk/programmes/b03g64rh
https://www.color-meanings.com/color-psychology-child-behavior-and-learning-through-colors/
https://www.cde.ca.gov/sp/cd/re/caqdevelopment.asp
https://www.bbc.co.uk/programmes/b03g64rh
https://www.color-meanings.com/color-psychology-child-behavior-and-learning-through-colors/
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